Cabaret, a world renowned Broadway musical, was performed at the Tryon Festival Theatre in Krannert Center for the Performing Arts this last Friday. The cast of the play Cabaret set out to give the audience a thrilling yet unique experience through perfect performance, further enhanced by amazing music and set pieces.
On the evening of March 6th, 2020, Cabaret, a famous Broadway musical which includes smoke, haze, violence, nudity, and profanity was performed in Krannert Center for Performing Arts to celebrate Krannert Center’s 50-year partnership with School of Music, Illinois.
This musical is based on a book by Joe Masteroff and a play by John Van Druten. Stories are based on a novel Christopher Isherwood and the fascinating music come from John Kander with lyrics by Fred Ebb.
Michael Barenboin and the West Eastern Divan Ensemble: A two-hour
performance that sounds like you’re coming home.
Written by Jackie Dominguez De Paz
quote by Ryunosuke Satoro that says, “Individually, we are one drop. Together,
we are an ocean”. I believe this quote perfectly describes The Western Divan
Ensemble orchestra led by Michael Barenboin. There is no doubt that every
player within the orchestra is unbelievably talented, however when they come together,
it sounds like what I would imagine the gates of heaven opening to sound like.
Anna uses her impersonation skills to deliver the unique stories of others struggling to make sense of life. -By Daniel Holley
Anna brought a unique performance to the Krannert Center as she entertained the crowd not with song or dance, but rather her incredible ability to tell the stories of others. With years worth of interviews from a diverse group of people recorded, she was able to present these characters to the audience as parts of a greater story. Today’s theme of “getting through the day” was showcased with a carefully crafted blend of humor and intensity as Anna impersonated a few of her interviewees. She retold their stories of challenges large and small while imitating their accents and mannerisms, ensuring the audience felt the emotions as much as they heard the words.
The heavenly strings that pulled my
heart so perfectly and unexpectedly.
Written by Jackie Dominguez De Paz
a world where everyone is in a hurry, it feels like one never gets the time to
close their eyes, stop for a while and think. To think about everything that life
has thrown at us but we have never taken the time to fully understand. A one
hour cello performance by Jonathan Swensen allowed me to reflect on my thoughts
that have been suppressed for so long.
Though activism in the traditional sense can involve rallies, protests, and other forms of civil disobedience, Somi showed us through her performance that music can also be a strong force in telling stories aimed at making a difference.
The Event as a Performance
What stood out to me was the fact that Somi sang her first song before introducing herself. Having been to a couple of concerts in the past, I thought this was an interesting storytelling mechanism. By doing this, she intrigued me: her music was interesting but who was she? Though this practice wouldn’t count as direct engagement, it certainly made me more curious as a member of the audience.
I would describe her performance as a collection of culturally-influenced songs that shed light on the injustices that happen around the world. But more generally, I would say her performance was means of connecting more deeply with her audience in the discussion of those injustices.
To form this connection, Somi touches on common touchpoints with the audience (including talking about her early life living in Urbana-Champaign). Additionally, her mention of social issues that we all are aware of (e.g. race relations as it relates to immigrant families or Harlem’s contribution to African-American culture) further reinforces the connection.
Her support staff of musicians adds additional diversity to the performance, which allows us to see various perspectives from the different instruments at play.
Engaging With the Other Musicians
Somi clearly has a great relationship with the other musicians, as she has an amazing rapport with everyone and introduces them several times, thanks them for being present, and gives almost everyone an opportunity to play a solo.
In doing so, Somi is walking the talk as it relates to diversity (racially and instrumentally) and makes the audience feel like she, as an artist, is just as inclusive as her music is.
The Songs — and Deeper Meanings
Though you could generally classify her music to be jazz, primarily on the slower side, the performance was pretty diverse from a melodic standpoint. Some songs excluded certain instruments while others had those same instruments play significant roles in the song.
But more importantly, every song told a story. Whether it was Somi acknowledging Harlem’s role in shaping African-American culture or dedicating a song to her mother, Somi’s music allowed us to get a deeper look at who she really was.
Additional to that feature of her music is her apparent ambition to drive social change. For instance, her song “Two Dollar Day” gave us a glimpse into the relationships between people and their governments — and just how fragile humanity really is in the wake of financial hardship.
So, most fundamentally, her music speaks about the human condition: we’re all different in some ways but we’re also similar in more ways — and have many relatable experiences — that we initially think about.
What Struck Me
I think what struck me most was how engaged the audience was. Of course, jazz isn’t everyone’s go-to genre, but the audience seemed to be intrigued by the stories that Somi told so much so that it considered music as simply the medium to get those stories across.
It’s the first time I’ve thought about music as a tool for storytelling and I think it was a good experience to listen to Somi prove that thesis.
In a moving homage and celebration of the African-American story in the United States, Step Afrika!: Drumfolk, connects the modern practices of beatboxing and hip hop to the Stono slave revolt and the related importance of drum beats to the culture of those persons who, once held in bondage, risked everything for a chance at freedom and justice.
I started the semester not knowing what classes I would take so I just looked for classes that filled some gen-ed requirements. I found FAA110 which I thought was unique and the professor reviews on “rate my professors” were amazing. I decided to sign up for the class and in all honesty, I have never had any professors that were so generous, passionate and supportive.
In terms of the class, it was pretty straightforward and the syllabus was on point. I went into the class thinking it would be like theater class that I took in high school because for that class we had to go to the theater shows almost every week and we would just talk about the history of theatre. However, It was nothing like my high school class it was more about our experiences, what we enjoyed, share our thoughts about live performances and discuss arts that we never think about. Such as the architecture of your house, and think about things that you never cared about such as nanny cams.
All in all, I learned a lot from this class and helped me find a passion I never would have discovered otherwise. I am really grateful that I had the opportunity to take a class with professors that are so humble and down to earth. I will continue going to Krannert shows because it gives you the opportunity to forget everything going on around you and just enjoy a couple hours in heaven.
Some of the events in Krannert that I had the pleasure of attending.
UI Symphony Orchestra
UI Jazz Band
Book all carols performed by the choir during the 2019 carol concert.
I am not the type of person that listens to jazz or any orchestra songs and all of a sudden listening to something so odd is so soothing and gives me the feelings. Today, I had the opportunity to watch a show from two different views because we didn’t have assigned seats and share it with one of my friends.
Again, at the start of the show, we were told not to take pictures during the show. However, I was able to take a picture right before they said that.
Overall, I enjoyed the music and all the different musical instrument that were being used to create all types of beats. If I were, to sum up, the feeling in words I would describe it as the same feeling as you get when you know you did something so good that you are being awarded and you are waiting for that award.
For those of you reading this blog and don’t know what opera senses are, they are a collection of acts from musical operas. In this show, I had the pleasure of watching twelve students how we’re extremely talented singers and dedicated to putting on a truly spectacular show without any hiccups.
I was fortunate enough to share this experience with one of my best friends from High school. He was so enticed by the performance he agreed to watch another live performance the following day. I wish I was able to take pictures but unfortunately, a lady sitting next to us told us to put our phone away and no pictures were allowed.
I am going to try my best, to describe my favorite scene. In this sense, there were six women all wearing black and were performing various dances while trying to portray being wives of some cruel bozo who divorced three of his wife’s and “beheaded” two of his wife’s. The scene comes to an end when the sixth wife tells the audience how she escaped.
Overall the scenes were short and gave you all types of feeling from a few being funny, sad and cheerful. I truly enjoyed it and it isn’t a bad idea to watch the opera scenes with a date because it was an emotional rollercoaster.