Monthly Archives: September 2019

‘Home’ Away From Home

Written by Ashleigh Cox

In Colwell Playhouse at Krannert Center for the Performing Arts, Geoff Sobelle’s Home captivated the audience on Friday night. The play brought together theater, illusions, and some impressive engineering for the set that was used. The performance pressed the audience to consider the true meaning of a home as we watched the lives of several characters play out in one space.

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Home, Sweet Home

Best Show I’ve ever Watched

Written by Zhengqi Xu

Home became the best show I’ve ever watched last week. It was abusolutely amazing for me and, I believe, for everyone. Everything about the show including the actors, scenes, and plays.

Helping actors hang lights with other the other audience to decorate the theatre

At first, I was confused with the meaning of the story the show was trying to tell, so I was trying hard to understand every details the show displayed. At the same time, I was surprised by the tricks the actors were doing. They could just change themselves to another actor by hide themselves for a second, and that was the point I started getting interested in the show.

The band coming down to the floor and interacting with us

Later, I was getting into the story of the show. Home was telling a story about a home in which several people live. All these people seemed unrelated in the first place, but they were actually interrelated to each other. The interactions between each roles were really sweet and I felt a sense of warm inside the theatre.

Some of us getting invited to the stage and participate as part of the show

At last, we were hyped by the plot where they invited plenty of the audience to the stage and participate. There was a scene depicted a night when everyone inside the house invited all kinds of friends to have a large party. I must say I enjoyed the plot so much that I was smiling all the time towards the end.

In the end, all the audience stood up and applauded for all the actors who showed up. Home is not just a show for me, but a real sweet home that night.

Geoff Sobelle shows us the meaning of a Home

By Luke Garza

On September 27th, the Krannert Center for the Performing Arts showcased the play Home in the Colwell Playhouse. The play slowly evolved from the silent story of one man who had built a house, the the stories of several people, each living out their own lives in the same home, unaware of the other’s very existence. Towards the end, even the audience became a central role in the amazing play, both in on stage participation and in helping to set the mood for the scene.

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Eric Andre Leaves Little to the Imagination

A blurry Andre on stage at the Canopy Club Saturday, September 28th.

Eric Andre his entire audience captivated and wanting more at Canopy Club with his visionary humor.

Written by Catherine Webber

As part of his Legalize Everything tour, and as an act of the Pygmalion Festival, comedian Eric Andre played at Canopy Club this past Saturday to a crowd of very enthusiastic fans, and these fans were not disappointed. Once I saw that Andre would be part of the Pygmalion Festival I quickly texted my brother to see if he would make the journey from Chicago to join me in the crowd, and he very eagerly told me that he would and couldn’t wait. Andre is known for his off the wall and oftentimes absurd talk show on Adult Swim, and this stand up was definitely reminiscent of the farcical show.

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A Universal Feeling… Home🏡

Written by Bria Thurman

I didn’t lose this one this time

Home isn’t a place, its a feeling

An excerpt from Ceila Ahern’s Love, Rosie

From the beginning of the one-act play by Geoff Sobelle, Home was a little confusing for me. And as the story went on I was still confused. It was a lot of inner working parts that require people to sit down and replay what they saw and felt. Even though I was confused and was struggling to find meaning, now as I am looking back I realized I kind of enjoyed the display.

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A New Way to Look at Home

Geoff Sobelle brings his interpretation of home for the people of Champaign-Urbana

The lights and energy of “Home” fill up Colwell Playhouse at Krannert Center for the Performing Arts

Written by Edward Huang

On a chilly Friday evening, guests gathered at Colwell Playhouse in Krannert Center for the Performing arts, eager to see what “Home” by Geoff Sobelle had in store for them. The stage was set with a display of mystery. There were bright lights glaring at the audience, preventing them from seeing anything in the dark backstage. I felt that this built up the interest of the crowd. When an actor from the audience walked onto the stage, the crowd waited in silence, all with piqued curiosity for what was to come.

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Home by Geoff Sobelle

By Rachel Yao

Geoff Sobelle’s “Home” showcases a mix of music and theatre while building a house from scratch at Colwell Playhouse in KCPA on September 27th, 2019.

A mix of actors and audience members on stage in the house built during the play.

“Home” starts off with a man wondering around on stage, picking up lanterns, and building a small wall out of wood and plastic sheets. As the play goes on, more characters start appearing, including the construction workers who quickly built a house in front of our very eyes. There was a bedroom, bathroom, kitchen, dining room, living room, and office within the house. Room decor, like pictures and vases, and furniture, like couches and desks, decorated the home while the residents unpacked. The stage quickly transformed into a warm home with ambient noises, wind blowing, leaves ruffling, and dog barking, mixed with realistic lighting that portrayed day and night.

Beginning of the play, where the man builds a wall made of wood and plastic sheets.

As the story unfolds, we see the daily life of each resident, from waking up to doing chores to arguing with each other. Seeing each resident live their own lives made me think and reflect on my own experiences at home. The play made me think about my morning routine and hectic schedules that I follow on a daily basis back at home and in my dorm at university. At the end of the play, the residents one by one began packing their belongings and moving out. This act made me think about the time I was moving from Minnesota to California, and then moving to university in Illinois. As a result, I could sympathize with the actors as they portrayed their lives.

Actors and audience members performing a scene where the residents were packing up to move out.

To my surprise, the actors also interacted with the audience throughout the play, whether it was offering food and drinks, asking for people to stand and hold strings of lights, singing happy birthday, or bringing them on stage to be part of the act. It made the audience feel cheerful, as if they were also a part of or invited to the party. I thought this strengthened the connection between the audience and the actors to create a lasting impression and to sympathize with them by drawing more of the audience’s attention to the scene.

Audience members standing to hold up strings of lights to be hung from the balcony.
Actors and audience members in a scene after a party where they mourn over a death.

More info on “Home” by Geoff Sobelle: https://krannertcenter.com/events/home-geoff-sobelle

Chris Botti: the EmBOTTIment of Modern Jazz

Written by Danielle Herrera.

Chris Botti showcases his talent as a trumpeter and performer alongside his company of musicians from across the globe.

Ticket and Program

On Saturday, September 14 Chris Botti and company performed at the Krannert Center of Performing Arts, demonstrating just the many reasons as to why he is so distinguished from other trumpeters. The award-winning musician and composer made his appearance on stage along with a variety of other instrumentalists, including a guitarist, violinist, pianist, and many more.

Left to right: Sy Smith singing to audience, Holger Marjamaa (piano), Reggie Hamilton (bass), Lee Pearson (drums), Leonardo Amuedo (guitar), and Chris Botti (trumpet)

The majority of the performance was instrumental based, which was different from all the other concerts I have previously been to. However, as a piano accompanist I would say that it was pleasant surprise to see a performance where the instrumentalists are the center of attention. And they definitely deserved the attention too; the musicianship of all the players on stage was absolutely insane. Each of their solos really allowed them to show off just how much control they had over their instrument, and how extensive their experience was in regards to performing.

Although I enjoyed listening to all the instrumentalists, I feel as though the singer gave the band a refreshing sound at the end of the first half of the performance. There was a new type of energy when singer and songwriter Sy Smith joined the company of musicians, and her funky soul-voice definitely livened up the crowd. I think she blended well with the jazzy instrumentals that was previously being played, and ultimately gave the song an edge.

I think my favorite part of the performance was Lee Pearson’s drum solo midway through the first half of the performance. His short showcase exhibited so much emotion and energy that people were constantly clapping and cheering. I found that the fast and complicated rhythms that he was able to complete were mesmerizing, and his overall showmanship was exciting to watch. I also liked the way he was able to entertain the audience with little tricks such as playing with the sticks behind his back, or throwing up the sticks in the air as he plays. Most importantly though, it was obvious that Pearson’s energy was genuine; you could see how much heart he put into this performance.

Overall, the Chris Botti performance was a refreshing change from the previous concerts I have attended. I greatly enjoyed the music and the energy of the show, and would definitely recommend this experience to anyone who is interested in instrumental music.

To find out more about this performance, go to https://krannertcenter.com/events/chris-botti.