A night of amazing orchestral music, distracted by a confusing medley of Tai Ji and group movement.
Before we saw the performance, we watched a video in class showcasing the quartet, and then another video about Chungliang Al Huang and how he incorporated dance with Chinese characters, and I was very excited to see these two combined.
However, after seeing the performance, I must admit I was rather unimpressed. The quartet performed very well, and hearing them play was a real treat. Chungliang however simply seemed off on Thursday evening. Or I could admittedly just not understand the culture behind his dancing, but it seemed not connected to the music at all, or that he was off by a few beats, but wanted to be on beat. I couldn’t tell if it was a heavily choreographed performance, or if it was a dance that was made up on the spot. Either way, I feel that if his performance could be misconceived as the other, then something was off.
As I said before, I really did enjoy the quartet, and actually throughly enjoyed the tango that occurred at the end. It felt very clean, and tightly rehearsed. It went very well with the music and both the dancers and the members of the quartet seemed to compliment each other very well. This kind of symbiotic relationship was what I was hoping to see with Chunliang, and was unfortunately disappointed.
If I were the director, I would have tried to make the quartet and all of the dancers truly compliment each other, rather than simply performing at the same time.