Saxophonist: Wilson Poffenberger

By: Jeffery Berry

The Lead act of Today’s Performance

Today’s performance was very soothing and peaceful. It was a good way to celebrate Krannert’s 50th anniversary. It was amazing to see and listen to the piano and saxophonist play together. The dynamics and pace of the songs were composed with great difficulty, but the preparedness of these performers made it seem extremely easy.

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Andersson Dance and Scottish Ensemble

The dancers rearranging the space with objects added a whole new dimension to the piece. It brought it up a level from just song and dance and I thought that was an interesting way to draw the audience in and keep them in.

The expectations for the dance were so different from what we got. Even down the outfits it was different. They took something that is considered “boring” and put a non-normative twist on it that made me think back to our conversation in class about our interpretation of music and keeping classical music alive. This performance showed that not everything has to stay the same and proved that changing things up is beneficial and interesting. Keeping things modern can keep classical music alive.

The props were so interesting to me. I felt like they were symbolic but I am not very creative so I spent a lot of time trying to come up with ideas for what they could mean. A color palette is always something I pay attention to because I know it is always symbolic or purposeful and it takes a lot of time to create which many people do not think about. I thought the color palette was so captivating because the musicians wore such neutral colors while the dancers wore bright colors and I think that was also a reflection of their performances. The color palette was very clean and thorough and was pointed out many times during the show.

playbill and ticket

I loved when the musicians put down their instruments and danced. I thought it was so cool that they were included in the performance. I feel like typically playing and instrument you avoid dancing like that so I was surprised but impressed. I also thought it was nice of the choreographer to include them because I feel like it gives insight to the relationship between the choreographer, dancers, and musicians.

I feel like the performance was very playful and a little comical. The dancers really took their dancing to a new level with the acting they did. The audience was laughing so many times throughout the show and this was intentional. The choreographer made it playful by keeping the audience engaged and making sure they were laughing during.

50 years of Magic and Creativity

…and going with an actress made it all the more special!

By: Daniel Corry

Colleen posted on the post it note wall about her achievements in Krannert as well.

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Going to the 50th Anniversary of the Krannert Center was a truly special night. I went with a friend of mine who is pursuing an acting degree as well, so getting inside scoops along the way was a fun addition. The thing I personally took the most interest in was this post it note wall. To celebrate 50 years of the Krannert center, there was a wall covered in sticky notes full of stories that have happened within the beautiful building we call a home away from home: funny moments, memories of opening nights, first dates! My friend had the honor of writing “first graduate of the new BMA lyric theatre degree” and it was an awesome moment for her, and a cool opportunity for me to be a part of.

On a broader scale however, I really enjoyed watching all of the donors, alumni and current students come together in a shared passion for the arts, and that really came through in this presentation. I think I would have lost some of that if I cam alone rather than with my friend, but regardless, the night was a beautiful ode to arts and creativity, and the passion was palpable throughout the walls that night.

Jupiter String Quartet: ‘Alice in Quantumland’ at Beckman Institute

By: Nancy Ibarra Medrano

The tall ceilings of the Beckman atrium made sure there was room to spare in the lively performance space make-shifted for Jupiter String Quartet. The echos that reached the sixth floor muffled the voices of the introduction, but the touch of the strings still fulfilled the message quite completely.

Jupiter String Quartet from above

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Quantum Rhapsodies

By Annabelle Emuze

“Compared with the gigantic aims of science, [our] own contribution, no matter how important, is only a drop in the ocean of truth.” This quote by Louis de Broglie was shown on one of the many bright images displayed during Quantum Rhapsodies, an event that aimed to explore the role of Quantum Physics in our universe.

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An Afternoon Full of Queens

An inspiring performance about feminism.

Written by: Leah Siegel

The Queens
Where the play took place

This weekend was Mom’s weekend at school and what better way to spend time with my lovely mom than to go see a play. We decided to go see Because I Am Your Queen at the Studio Theatre at Krannert by Mina Samuels and directed by Barbara Pitts McAdams.

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Andersson Dance

This week we saw Andersson dance which is an alternating constellation of artists and was founded in 1996. Andersson Dance combined live performance with dancing, with rearranging stage spaces and movements of composers and dancers, which in my opinion, is an interesting way to performance arts.

By Rui

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