Krannert Art Museum’s second ArtTalk discussed the way we get rid of nuclear waste. The curator, Lilah Leopold, focused on a few different pieces and explained the intention of the exhibit from the artists’ point of view.
I went to the Krannert Art Museum’s first-ever Art Talk and learned a lot about African Art and it’s movement throughout the Western world. The curator talked about several pieces from different regions as well as their significance to the cultures they originally came from.
Although this workshop was titled “Dance”, it was more like a journey about our soul. It gave me plenty of time to feel my inner changes and explore the deeper philosophical implications of art.
We stopped outside Krannert Art Museum and Ms. Monson requested us to close our eyes and feel which direction is north. Then we each looked for and turned to the direction of our hometown. Ms. Monson let us feel the sounds from a distance or close by, looking for objects that emitted these sounds, and moving in the direction of their movement. In such a quiet environment, I clearly heard the rumble of cars driving across the road, the rustle of wind blowing through the leaves, and the screaming of birds in the sky, which made me feel relaxed and calm down.
After entering the museum, Ms. Monson took us to a gallery and let us find a partner. Each person had three minutes to close their eyes and do whatever they want. I chose to lie on the ground and stretch my body, which made me feel comfortable because I usually sit to study and my back could not be relaxed.
In the third session, Ms. Monson asked us to choose one from different activities and work with our partner. My partner and I wanted to observe and draw the life cycle of the material of a work of art. We chose a painting, and I thought about where the oil paint came from. I painted the process I imagined on paper to share with others.
This workshop was so unique that I couldn’t find a similar event. I was very grateful for this special experience, which taught me a new way of feeling art.
Jennifer Monson brought us to experience art through dance and movement at Krannert Art Museum.
Jennifer Monson is an American dancer and choregrapher. On October 3, she showed us a new way to interpret art during her dance workshop at Krannert Art Museum. She had brought us to use not vision, but dance and movement to feel the art, which you may find a experience you have never had.
Jennifer Monson shares her insight on how movement of the body can change the experience of art.
written by Allison Spillane
This experience was a new one. Previous shows that this class had scheduled I had some semblance of expectation, but I went into Jennifer Monson’s dance workshop having no preconceptions of what we would be doing. Having absolutely no background knowledge of dance, I must admit I was somewhat apprehensive about the activities she had in store. However, despite my fears, I found the movement in this event quite refreshing. The lense of dance really changed the way that I experienced the art.
On Thursday October 3rd at the Krannert Art Museum we went to a dance Workshop taught by Jennifer Monson. This experience was unlike any other and it felt very freeing and liberating. I had never gone to a dance workshop and going to this one was unlike anything I thought it would be.
Jennifer Monson holds a workshop to bridge the gap between dance and art
Written by Edward Huang
Just as the weather began to get chilly in Champaign-Urbana, a small group gathered in the lobby of the Krannert Art Museum with excitement and curiosity. Jennifer Monson, the renowned dancer, choreographer, and professor stood in the middle of the group, calling order to what was bound to be an interesting and transformative workshop. Her goal was to show us the connection between dance and art, and how we can discover that through a certain set of activities.
Jennifer Monson expresses a way of experiencing art through movement at her dance workshop at Krannert Art Museum on October 3rd, 2019.
We began outside in a small patch of grass outside of the museum. We were instructed to close our eyes and listen to the sounds of our surroundings and to face various directions. While the group was listening to their sounds, I focused my attention to the leaves rustling, cars driving by, and crickets chirping. It felt very relaxing and stress-relieving. Considering my stressful week that consisted of studying for midterms and completing assignments, this experience was a breath of fresh air.
Then, we went back into the museum and entered the art gallery. We were told to find a partner and take turns watching each other do whatever we wanted with our eyes closed. It was an opportunity to express ourselves and follow our instincts. Next, we were given a packet of prompts and were sent off to find a piece of artwork we liked and stare at it before answering a prompt in the packet. My partner and I chose a large oil painting that features two individuals bracing each other. Looking at the prompts, I chose the one that required me to draw my response to the artwork. Reflecting on my first impressions of the artwork, I remember drawing my attention to the detailed hands and less-distinct eyes of the individuals. I then turned to my paper and began drawing a hand and eye.
By thinking about my own body and movement in relation to the artwork made me feel more connected to the piece as well as allowing me to look at a piece of art in a different perspective. I focused more on the emotions conveyed within the artwork as well as my reaction in response to a piece of art.
In Colwell Playhouse at Krannert Center for the Performing Arts, Geoff Sobelle’s Homecaptivated the audience on Friday night. The play brought together theater, illusions, and some impressive engineering for the set that was used. The performance pressed the audience to consider the true meaning of a home as we watched the lives of several characters play out in one space.
On September 5th, 2019, the Krannert Center for the Performing Arts hosted the Opening Night Party, featuring many artists and venues.
As I arrived at the Krannert Center for the Performing Arts (KCPA), I could already see crowds of people outside. There were so many venues and activities outside. There were artists doing chalk art on the stairs leading to KCPA, venues selling food like hamburgers and desserts, and singers getting ready to perform. Once I entered the building, my eyes were drawn to the changing color lights and rows of venues along the sides. There were temporary tattoos, face painting, food stands, and more! There was just as many people inside as there were outside. I spent most of my time wondering around, looking for artists to watch and listen to.
I particularly enjoyed watching Andy Baylor and Toko Telo. Andy Baylor sang his own unique country-style cover of the National Anthem while playing his guitar. Toko Telo, a Madagascar-based group, performed several folk compositions outside of KCPA. Both had very contrasting styles. Baylor’s singing was very melodic and smooth, while Toko Telo had more distinct beats.
I thought the KCPA Opening Night Party was a great way to discover and listen to new talented singers, meet knew people, and enjoy ourselves throughout the night. What I enjoyed the ambient atmosphere created by the changing-color lights, and music performed by Andy Baylor and Toko Telo.