By: Aditya Kashyap
Written by Lesly Marroquin
A night with fun, chaos, and depth that redefines dancing.
Coming into the performance hall Tuesday night was exciting and tame. I personally came into the performance with not many expectations. I expected some interpretive dancing and tame classical music from Andersson Dance and Scottish Ensemble. I was pleasantly surpised and had an amazing time watching the show.Rea more
Written by Lesly Marroquin
Enjoying three pieces played by the San Francisco Symphony at the Krannert Center for Performing Arts.Continue reading “Ending Wednesday Night on High Notes”
A beautiful performance by Michael Tilson Thomas and the San Francisco Symphony.
Written by: Leah Siegel
After a week off, I am back and refreshed and ready to finish the semester strong! This week our class went to The Krannert Center of Performing Arts to see the famous Michael Tilson Thomas and The San Francisco Symphony, and special guest, Alexander Kerr.Continue reading “A Classic Night”
At one point during the show, I felt as if I had fallen asleep and was dreaming.
By Lesly Marroquin
Thursday I had the pleasure of attending the performance of the Jupiter Strong Quartet accompanied by a Tai Ji Master and Tango. I have had previous experiences of watching shows with string instruments but have not seen a quartet and have no experience with Tai Chi besides hearing it from word of mouth. On the other hand, I have had many experiences with tango as I have studied abroad in Argentina and have seen many people dancing it.
I was expecting something new and was really wondering to how they would combine Tai Ji, Classical music, and Tango all together. I thought they would be separate experiences. I was very surprised at what I witnessed.
The show had the quartet open up by themselves, playing a classic but strong piece. Then the Tai Ji master came in and performed a routine that fit well alongside the music. I quickly felt myself be soothed and completely relaxed. The music and the Tai Ji performance was soft, wispy, and calming. I quickly knew that if it continued I would for sure fall asleep. They ended that portion at the perfect point.
The tango was strong and passionate. I quickly was awakened and put into an ecstatic state. I fully enjoyed both portions of the performance and felt completely different things from them. Though, I think the slower once could have put me to sleep if it had run longer. This also might be due to me having a long school day prior to this perfomance.
I especially enjoyed the finale when everyone joined in the Tai Ji performance and only one player of the Quartet was left. It was an amazing way to include all of the performers on stage at once in unison. After it was over, I was very amused by the show and enjoyed my first experiences with Tai Ji and a Quartet thoroughly.
By: Stephany Valdez
Jupiter Spring Quartet is a group of four who play chamber music, and
Chungliang Al Huang is a Tai Ji master and choreographer.
For the performance of the Jupiter Spring Quartet with Chungliang Al Huang, I really was not sure what to expect at all. I had been to a few classical performances before but nothing paired with a visual or dance component. The audio along with the visual aspect together was a new experience. I did not feel like my brain was overloaded with trying to process the information. Before the Taiji and dancing was introduced, it felt like the music was telling a story. Jupiter Spring left it up to the listener to interpret what was being said. Once Chungliang came onstage and began to do Taiji,he began to tell a more solid story with his actions. This along with the music made for a very interesting performance.
This showcase had parts featuring just music from the quartet, music and Taiji, music and formal dance and music with group dance. The combination that I enjoyed the most though, would have had to be the strings along with the formal dancing. It was a very eye catching, sharp and calculated performance. Both the style of dance and music was a stark contrast to the rest of the production, which was more fluid and slow in movement and style. The energy shifted in the theatre once this part started and I think it gave a much needed change of pace. I also believed that this was the most interesting part as well. In the beginning of the section, the duo began by doing the tango. The tango is regarded by many as a dance that expresses sensuality so I thought that it was an interesting choice for the Jupiter Spring Quartet to pair this dance and the accompanying music with a pair of two men. There seemed to be no gender roles as both men went back and forth following and leading. I believe there was a good balance between what is widely known as ballroom tango and the shock value of having men perform the dance as partners. There was a break in the heteronormativity that is common in ballroom dance. I think that placing this in the middle of the entire presentation was the right thing to do, as it served as a sort of climax before Chungliang and others came back out with natural, fluent movement.
The director did a very good job with setting up the order of the performances. The tone shifted with every performance both onstage and within the audience and I believe that it fit exactly what the director was trying to portray. There was a slow build up that led to the climax and then the action fell back down until the end came. The music was able to tell a story on its own as well as when paired with Taiji and dancing. All around it was a very interesting performance and it kept the audiences’ attention.
Written by Sihan Wang
Last night I went to the Krannert center watched “Rolston String Quartet”. I enjoyed it very much, similar to the violin-piano duet concert. Although I didn’t hear any familiar song that I might hear before this time, the pieces that they played yesterday was still pretty good.