I decided to end my college career exploring what only the University of Illinois could provide: an experience exploring the culture and arts of the University’s feature facilities like the Krannert Center for the Performing Arts and the Spurlock Museum. I lamented being cut short of the fun times I was having, but I am happy I got to take part. Dr. Collins and Dr. Robinson provided a course that broadened my horizons, taking me to performances I may not have otherwise. This stayed true into the pandemic as I was directed to online performances to compliment my education. My classmates were friendly and fun. My brief encounters with them are ones I treasure immensely and some of what I miss the most in this isolation we all suffer through today.
Time flies. It feels incredible that another semester is about to end. Although lots of unexpected things happened, it was still a great semester overall. And FAA 110 was one of the main factors that made this semester “great”. I remember I registered this course simply for a general education course. However, this is such a great course that brought me much more than just having a few credits.
Metamorphosis is Steven Berkoff’s adaptation of Franz Kafka’s novella, which tells the tale of a travelling salesman who is transformed into an insect. The performance took place in the Parco Theater in Tokyo and was made available through Digital Theatre Plus.
Written By: Zackarya Faci
The first thing that struck me about Metamorphosis is that it was performed in Japanese. The video was accompanied by English subtitles which undoubtedly helped me understand what was going on through the performance. This is the beauty of digital performances; we are able to enjoy works that we might not otherwise comprehend in person. The performance opened with Gregor Samsa elucidating who he was and giving background about the other characters. This is atypical from other performances, and it seemed like he will be narrating the story instead of acting in it.
In Tom Wright’s production of The Container presented outside the Young Vic Theater presents an experience novel and uncapturable on the screen. By the end, the viewer is left with a futile outlook on human relations.
The Container, by Clare Bayley, tells the story of a group of asylum seekers being smuggled across Europe, to England, in a shipping container. The performance took place outside the Young Vic Theatre in a real shipping container. I viewed the performance via Digial Theatre Plus (though seeing it live in the container would have been much cooler).
Written By: Zackarya Faci
The performance recounts the hardships of five refugees as they are smuggled across Europe. They discuss their backgrounds, visions of what England will be like, and even get on each others nerves. They fight over what little food and water they have–thinking one is more deserving based on the struggles they have lived through in the past. Though it makes sense that they would be so easily agitated, since they are confined together in such a small space.
Everyone knows the three essentials for survival: water, food, and shelter. But people always seem to forget about our human need for warmth whether it is literal warmth, heat, or a more figurative warmth through relationships with other people. The Container shows us all four of these necessities during its run time but the main takeaway I got from the performance was that having warmth will let people feel safer than water, food, or shelter will.
The Merchant of Venice is Polly Findlay’s adaptation of the play written by William Shakespeare. The performance took place in Stratford-upon-Avon, but I watched the performance online through Digital Theatre Plus. The play is a complex tale of money, greed, and prejudice; Antonio, an antisemitic, takes out a loan from the Jew Shylock, which he cannot afford to repay.
Written By: Zackarya Faci
The first thing to note is the language used throughout the performance. It is reminiscent of 16th-century English and stays true to the language used in the original play. While it required more attention to fully grasp what the actors were saying, it was still understandable and enjoyable. One thing that veered from the original play is the costume choice. A much more modern dress was used–which I believe made this play more enjoyable and feel like a newly created work. Also, the contrast of how the actors dressed and spoke added a unique and memorable element.
Hello and welcome back to my blog! This week, I used the UIUC digital theater to enjoy the classic Shakespearean masterpiece, Macbeth. In this Liverpool 2011 rendition, actor David Morrissey delivers a wondrous performance that was worthy of his role as Macbeth. Throughout the production, Morrissey’s gripping performance allows Shakespeare’s incredible storytelling to manifest.
Additionally, the set and atmosphere by Francis O’Connor provide the initial construction of the dark and somewhat haunting mood of the show. It was particularly interesting how rapid the transition was from Macbeth’s desolate battlefield to Duncan’s war-room. O’Connor, using nothing but lighting changes and a singular square table, convinced the audience of a complete and dramatic set shift.
Thank you once again for stopping by! Unfortunately, this will likely be my final event blog for the semester. I have had such an amazing time discovering novel and interesting theatrical art forms with each and every one of you this semester.
Link to performance: https://www-digitaltheatreplus-com.proxy2.library.illinois.edu/education/collections/digital-theatre/macbeth