Jennifer Monson dance was a way to connect yourself to the earth around you. As humans sometime we need to move and stand up and get all of the feelings from the day out of our system. I am not going to lie I thought the whole experience was going to be weird but in truth, it was extremely interesting an entertaining for myself. I enjoy being in artistic space and enjoy the movement I feel I need to be in.
We initially started outside, I believe her purpose for this was to find a connection with the world around us. Something I have been noticing for the past couple of weeks is how people find themselves so uncomfortable because the only comfort they have is on their phones. It is what they know and understand. Sometimes, it feels good to experience the world around us and that is something Jennifer Monson insisted on. Through some of the research I did, I found she wanted to quit dance and become a park ranger. I could understand how that could have been her passion, specifically when she brought up how she watched Whales migrate.
While we were outside she had asked us three questions that stood out to me: 1) What direction is home for you? 2) Where is North? 3) What is one thing you can here from far away and what is one thing you can here up close? For the first question, I for one moment faced toward my dorm but I suppose any place I can living a feel comfortable in is my home. The second question I was not really sure where to go, so I just watched how everyone else moved. The third question was kind of hard because the sounds I heard from far away began to grow further and the sound I heard from up close I was not really sure if how close by it was. For the third question she asked us to go toward the sound we heard nearby and I didn’t move too far because I had no idea where the sound was.
After this, we walked back inside and walked into the Women of Architecture exhibit and we sat on the floor -which I am not a fan of- and she had asked us to grab a partner. My partner for the evening was Dr.Robinson. Monson had asked one partner to close their eyes and do whatever motion while the other partner witnessed. I am kind of an awkward person who can easily become uncomfortable but in the three minutes, I forgot where I was and forgot anyone was witnessing me. I kind of enjoyed it. We switched roles with our partner and Dr. Robinson said she had also forgotten my presence.
Jennifer had then asked us to explore a painting and kind of move with it. We had chosen EL Sombrero by Barabra Rossi. The painting was interesting however I did not really move with it I kind of just watched. I think this is one of the most attractive but confusing paintings in the section we were in. Making sure to move your eyes is important when understanding any physical object. I do not believe an interpretive dance number is required but making sure to not just look but to see.
Overall I genuinely enjoyed myself. It sometimes is fun to take a moment and analyze art which makes FAA 110 a really fun class. 🖼
The evening began with a brief meeting in the lobby of Krannert Art Museum. Here we met with who KAM would be hosting for the night, Jennifer Monson. The event would be a dance workshop that we the audience would be taking part in. It served as an interactive experience that included using our senses to clear our minds and connect with our surroundings, using our bodies to demonstrate how we felt, and then analyzing the art work and creating our own response using drawings or a form of dance to express what it meant to us.
The Krannert Art Museum recently hosted Jennifer Monson’s Dance Workshop, an event open free to the public which was an interactive event which took place all over the Museum. Participants were asked to move their body in response to different activities. Included in this event was also a response/analysis to artwork to as well as group activities.
Jennifer Monson brought us to experience art through dance and movement at Krannert Art Museum.
Jennifer Monson is an American dancer and choregrapher. On October 3, she showed us a new way to interpret art during her dance workshop at Krannert Art Museum. She had brought us to use not vision, but dance and movement to feel the art, which you may find a experience you have never had.
Thanks to Jennifer Monson
and her knowledge of biology and dance I learned a new means of
experiencing and connecting with the art at the Krannert Art Museum.
Even though I have been to the KAM three times, the crafts in it are
still fascinating: new details emerge and give the art a new meaning or
On Thursday October 3rd at the Krannert Art Museum we went to a dance Workshop taught by Jennifer Monson. This experience was unlike any other and it felt very freeing and liberating. I had never gone to a dance workshop and going to this one was unlike anything I thought it would be.
Jennifer Monson holds a workshop to bridge the gap between dance and art
Written by Edward Huang
Just as the weather began to get chilly in Champaign-Urbana, a small group gathered in the lobby of the Krannert Art Museum with excitement and curiosity. Jennifer Monson, the renowned dancer, choreographer, and professor stood in the middle of the group, calling order to what was bound to be an interesting and transformative workshop. Her goal was to show us the connection between dance and art, and how we can discover that through a certain set of activities.
Jennifer Monson expresses a way of experiencing art through movement at her dance workshop at Krannert Art Museum on October 3rd, 2019.
We began outside in a small patch of grass outside of the museum. We were instructed to close our eyes and listen to the sounds of our surroundings and to face various directions. While the group was listening to their sounds, I focused my attention to the leaves rustling, cars driving by, and crickets chirping. It felt very relaxing and stress-relieving. Considering my stressful week that consisted of studying for midterms and completing assignments, this experience was a breath of fresh air.
Then, we went back into the museum and entered the art gallery. We were told to find a partner and take turns watching each other do whatever we wanted with our eyes closed. It was an opportunity to express ourselves and follow our instincts. Next, we were given a packet of prompts and were sent off to find a piece of artwork we liked and stare at it before answering a prompt in the packet. My partner and I chose a large oil painting that features two individuals bracing each other. Looking at the prompts, I chose the one that required me to draw my response to the artwork. Reflecting on my first impressions of the artwork, I remember drawing my attention to the detailed hands and less-distinct eyes of the individuals. I then turned to my paper and began drawing a hand and eye.
By thinking about my own body and movement in relation to the artwork made me feel more connected to the piece as well as allowing me to look at a piece of art in a different perspective. I focused more on the emotions conveyed within the artwork as well as my reaction in response to a piece of art.