Tag Archives: Krannert Art Museum

SPEAK…with Intimacy to a Family

Written by Raymond Diaz

[MAKE-UP EVENT] The night began in the Espresso Royale Cafe of the Krannert Art Museum. Organized and moderated by Shaya Robinson, the event for the night was an open mic, where people were allowed to come up and share their artistic creations and express themselves with the audience. The host, Shaya Robinson, has been doing this for over 5 years so it came as no surprise the amount of people that showed and the intimacy that flowed throughout the room.

https://kam.illinois.edu/event/speak-café-4

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The Way We Move Can set The tone of How we Feel the World Surrounding Us. 💃🏾

Written By Bria Thurman

Feel the grass under your feet and move with it

Jennifer Monson dance was a way to connect yourself to the earth around you. As humans sometime we need to move and stand up and get all of the feelings from the day out of our system. I am not going to lie I thought the whole experience was going to be weird but in truth, it was extremely interesting an entertaining for myself. I enjoy being in artistic space and enjoy the movement I feel I need to be in.

Jennifer Monson is pictured here explaining to us that her art is based in nature.

We initially started outside, I believe her purpose for this was to find a connection with the world around us. Something I have been noticing for the past couple of weeks is how people find themselves so uncomfortable because the only comfort they have is on their phones. It is what they know and understand. Sometimes, it feels good to experience the world around us and that is something Jennifer Monson insisted on. Through some of the research I did, I found she wanted to quit dance and become a park ranger. I could understand how that could have been her passion, specifically when she brought up how she watched Whales migrate.

I Believe this was when we were facing north.

While we were outside she had asked us three questions that stood out to me: 1) What direction is home for you? 2) Where is North? 3) What is one thing you can here from far away and what is one thing you can here up close? For the first question, I for one moment faced toward my dorm but I suppose any place I can living a feel comfortable in is my home. The second question I was not really sure where to go, so I just watched how everyone else moved. The third question was kind of hard because the sounds I heard from far away began to grow further and the sound I heard from up close I was not really sure if how close by it was. For the third question she asked us to go toward the sound we heard nearby and I didn’t move too far because I had no idea where the sound was.

I am not sure what is happening here but photo creds to Dr. Collins

After this, we walked back inside and walked into the Women of Architecture exhibit and we sat on the floor -which I am not a fan of- and she had asked us to grab a partner. My partner for the evening was Dr.Robinson. Monson had asked one partner to close their eyes and do whatever motion while the other partner witnessed. I am kind of an awkward person who can easily become uncomfortable but in the three minutes, I forgot where I was and forgot anyone was witnessing me. I kind of enjoyed it. We switched roles with our partner and Dr. Robinson said she had also forgotten my presence.

El Sombrero by Barabra Rossi

Jennifer had then asked us to explore a painting and kind of move with it. We had chosen EL Sombrero by Barabra Rossi. The painting was interesting however I did not really move with it I kind of just watched. I think this is one of the most attractive but confusing paintings in the section we were in. Making sure to move your eyes is important when understanding any physical object. I do not believe an interpretive dance number is required but making sure to not just look but to see.

Overall I genuinely enjoyed myself. It sometimes is fun to take a moment and analyze art which makes FAA 110 a really fun class. 🖼

Spirit of “Dance”

Written by Nicole Miao

Although this workshop was titled “Dance”, it was more like a journey about our soul. It gave me plenty of time to feel my inner changes and explore the deeper philosophical implications of art.

People gathered outside the KAM

We stopped outside Krannert Art Museum and Ms. Monson requested us to close our eyes and feel which direction is north. Then we each looked for and turned to the direction of our hometown. Ms. Monson let us feel the sounds from a distance or close by, looking for objects that emitted these sounds, and moving in the direction of their movement. In such a quiet environment, I clearly heard the rumble of cars driving across the road, the rustle of wind blowing through the leaves, and the screaming of birds in the sky, which made me feel relaxed and calm down.

A three-minute “Dance” experience

After entering the museum, Ms. Monson took us to a gallery and let us find a partner. Each person had three minutes to close their eyes and do whatever they want. I chose to lie on the ground and stretch my body, which made me feel comfortable because I usually sit to study and my back could not be relaxed.

I was observing an artwork

In the third session, Ms. Monson asked us to choose one from different activities and work with our partner. My partner and I wanted to observe and draw the life cycle of the material of a work of art. We chose a painting, and I thought about where the oil paint came from. I painted the process I imagined on paper to share with others.

Drawing by me and my partner

This workshop was so unique that I couldn’t find a similar event. I was very grateful for this special experience, which taught me a new way of feeling art.

Expression with Creation, and Vice Versa

Written by Raymond Diaz

The evening began with a brief meeting in the lobby of Krannert Art Museum. Here we met with who KAM would be hosting for the night, Jennifer Monson. The event would be a dance workshop that we the audience would be taking part in. It served as an interactive experience that included using our senses to clear our minds and connect with our surroundings, using our bodies to demonstrate how we felt, and then analyzing the art work and creating our own response using drawings or a form of dance to express what it meant to us.

https://kam.illinois.edu/event/dance-workshop-jennifer-monson-movement-means-experience-art—move-seesee-move

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Dance that Opened My Mind

A little trip that opened my mind

Written by Zhengqi Xu

Jennifer Monson’s Dance Workshop is totally different from the events we attend before. Instead of just watching, we join the event and present our own discoveries throughout the whole tour. I was impressed by nearly everything happened that evening.

Jennifer Monson’s introduction of the tour

Before attending the dance workshop, I thought it was just an event that would teach us how to dance, or maybe some history about dancing. However, the trip was completely beyond my mind and gave me a new understanding of dance. We start the trip by walking out of the building and gathering on the turf by the street. There we were asked to close our eyes and fell the nature, and it reminded me of meditation. Jennifer told us to feel the ground under our feet, sound from far away, and even air flowing in the air. I start to calm down by doing all the movement she told us to and it was a good start of the tour.

Meditation outside of the building

Then we entered the Krannert Art Museum to take a tour in the art room. Although I’d been here before, but there were still a lot of artworks I hadn’t seen. Jennifer led us around the building and asked us to do an activity. We needed to get in a team of 2 people and watch each other’s behavior and we could do any movement we want with our eyes closed. This part of the trip entertained me because it was funny to see all the people making some strange movements, including myself.

Talk about artworks with our partners

Later, Jennifer let us choose a specific artwork and follow one of the instructions to look at and think about it. My partner and I chose artwork that we don’t understand much about, and we only chose it because we thought it looked colorful and beautiful. Jennifer was supposed to walk around the room and talk to all the students, but when she found out we were confused with the artwork, she came to us and try to understand the artwork with us. She spent 20 minutes telling us how to look at a painting from different angles and perspectives. I had always thought it was hard to analyze the meaning of an artwork, but Jennifer’s works inspired me and taught me the right but multiple ways to enjoy an artwork. She got so excited looking at the artwork that she was moving around it all the time to come up with new ideas.

I learned a lot from Jennifer Monson and I thought I might never forget about that tour. We’ve all seen people standing in front an artwork and we don’t understand them for the most time. Jennifer Monson really gave me a whole new idea about how to enjoy an artwork.

Dancing in the Krannert Art Museum

By Luke Garza

The Krannert Art Museum recently hosted Jennifer Monson’s Dance Workshop, an event open free to the public which was an interactive event which took place all over the Museum. Participants were asked to move their body in response to different activities. Included in this event was also a response/analysis to artwork to as well as group activities.

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Dance into Art!

Wai Chuen Chan
10/6/2019

Jennifer Monson brought us to experience art through dance and movement at Krannert Art Museum.

Jennifer Monson is an American dancer and choregrapher. On October 3, she showed us a new way to interpret art during her dance workshop at Krannert Art Museum. She had brought us to use not vision, but dance and movement to feel the art, which you may find a experience you have never had.

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The Rate of Art over Time

Written by César Díaz Blanco

Warming up our Orientation Skills

Thanks to Jennifer Monson and her knowledge of biology and dance I learned a new means of experiencing and connecting with the art at the Krannert Art Museum. Even though I have been to the KAM three times, the crafts in it are still fascinating: new details emerge and give the art a new meaning or context.

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Moving with Art

By Jessica Moreno

Jennifer Monson Talking to us at the beginning of the workshop.

On Thursday October 3rd at the Krannert Art Museum we went to a dance Workshop taught by Jennifer Monson. This experience was unlike any other and it felt very freeing and liberating. I had never gone to a dance workshop and going to this one was unlike anything I thought it would be.

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An E-Motional Approach to Art

Jennifer Monson holds a workshop to bridge the gap between dance and art

Monson addresses the group In Krannert Art Museum at the beginning of the workshop

Written by Edward Huang

Just as the weather began to get chilly in Champaign-Urbana, a small group gathered in the lobby of the Krannert Art Museum with excitement and curiosity. Jennifer Monson, the renowned dancer, choreographer, and professor stood in the middle of the group, calling order to what was bound to be an interesting and transformative workshop. Her goal was to show us the connection between dance and art, and how we can discover that through a certain set of activities.

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