Written by Nicole Miao
The story of “Home” began with two small lights, a wooden frame and two plastic sheets.
When a man in casual clothes came to the stage directly from the auditorium instead of the background, I thought he was a staff at first. When he assembled the materials into a wall and changed the scene into a small bed and a door, I realized that he was an actor. There were many different people in and out of the door, such as women, boys, and elderly. Not too long after that, several decorators appeared, converting the scene into a larger house and starting to carry furniture inside. I could gradually distinguish the kitchen, living room, bathroom, study and bedroom.
Until the last piece of furniture was moved in, the hostess walked into the house with flowers, and a complete “home” appeared. The new day began with a simulation of sunshine through the venetian blinds on the second floor window and realistic barking. From getting up and washing, dressing up, and carrying the packages out, the actors presented us with different lives of different roles. The elderly did housework, the child went to school and adults went to work. This reminded me of my own life. Before I entered the college, every day after I get up, my mother drove me school and then came back to do housework. My dad had to work every day, occasionally going on a business trip. People in a home methodically handled their own life.
The most amazing thing that shocked me was in the second part. Actors began to interact with the audience actively. The little boy stepped down and invited us to taste the olives (I tasted one, but it was sour). The other actors let the audience stand and put the string of lights on the top of the head. They also invited many audience, including several of my friends, to come to the stage and participate in the party and celebrate the birthday. I was still thinking about the logic of plot just before this part, such as what the meaning is when actors entered and exited from the door at the beginning. But when the audience cheered, I felt that the logic of the story was no longer so important. Now I am part of the story, and I am also completing this story about Home.
I was immersed in the performance until the end. It turned out that interacting with the audience is the most direct way to get audience into the situation. I could not refuse this kind of interaction, which was a wonderful experience I have never had before.
If you want to learn more about Home by Geoff Sobelle, visit this website: https://krannertcenter.com/events/home-geoff-sobelle