One of the most famous ballet plays written by Pyotr Llyich Tchaikovsky in 1892, the Nutcracker, is presented by one of the greatest ballet companies, the Royal Ballet. Come to experience a magical night tour with Marie and the nutcracker.
February 7, 2020 was a perfect Friday night at the Colwell Playhouse in Kranner Center for Performing Arts. A spectacular performance entitled “ Step Afrika ! : Drumfolk” shared the story that took place when South Carolina passed The Negro Act of 1740.
I went to the Krannert Art Museum’s first-ever Art Talk and learned a lot about African Art and it’s movement throughout the Western world. The curator talked about several pieces from different regions as well as their significance to the cultures they originally came from.
The evening began with a brief meeting in the lobby of Krannert Art Museum. Here we met with who KAM would be hosting for the night, Jennifer Monson. The event would be a dance workshop that we the audience would be taking part in. It served as an interactive experience that included using our senses to clear our minds and connect with our surroundings, using our bodies to demonstrate how we felt, and then analyzing the art work and creating our own response using drawings or a form of dance to express what it meant to us.
The Krannert Art Museum recently hosted Jennifer Monson’s Dance Workshop, an event open free to the public which was an interactive event which took place all over the Museum. Participants were asked to move their body in response to different activities. Included in this event was also a response/analysis to artwork to as well as group activities.
Jennifer Monson brought us to experience art through dance and movement at Krannert Art Museum.
Jennifer Monson is an American dancer and choregrapher. On October 3, she showed us a new way to interpret art during her dance workshop at Krannert Art Museum. She had brought us to use not vision, but dance and movement to feel the art, which you may find a experience you have never had.
Jennifer Monson shares her insight on how movement of the body can change the experience of art.
written by Allison Spillane
This experience was a new one. Previous shows that this class had scheduled I had some semblance of expectation, but I went into Jennifer Monson’s dance workshop having no preconceptions of what we would be doing. Having absolutely no background knowledge of dance, I must admit I was somewhat apprehensive about the activities she had in store. However, despite my fears, I found the movement in this event quite refreshing. The lense of dance really changed the way that I experienced the art.
Jennifer Monson holds a workshop to bridge the gap between dance and art
Written by Edward Huang
Just as the weather began to get chilly in Champaign-Urbana, a small group gathered in the lobby of the Krannert Art Museum with excitement and curiosity. Jennifer Monson, the renowned dancer, choreographer, and professor stood in the middle of the group, calling order to what was bound to be an interesting and transformative workshop. Her goal was to show us the connection between dance and art, and how we can discover that through a certain set of activities.
Jennifer Monson expresses a way of experiencing art through movement at her dance workshop at Krannert Art Museum on October 3rd, 2019.
We began outside in a small patch of grass outside of the museum. We were instructed to close our eyes and listen to the sounds of our surroundings and to face various directions. While the group was listening to their sounds, I focused my attention to the leaves rustling, cars driving by, and crickets chirping. It felt very relaxing and stress-relieving. Considering my stressful week that consisted of studying for midterms and completing assignments, this experience was a breath of fresh air.
Then, we went back into the museum and entered the art gallery. We were told to find a partner and take turns watching each other do whatever we wanted with our eyes closed. It was an opportunity to express ourselves and follow our instincts. Next, we were given a packet of prompts and were sent off to find a piece of artwork we liked and stare at it before answering a prompt in the packet. My partner and I chose a large oil painting that features two individuals bracing each other. Looking at the prompts, I chose the one that required me to draw my response to the artwork. Reflecting on my first impressions of the artwork, I remember drawing my attention to the detailed hands and less-distinct eyes of the individuals. I then turned to my paper and began drawing a hand and eye.
By thinking about my own body and movement in relation to the artwork made me feel more connected to the piece as well as allowing me to look at a piece of art in a different perspective. I focused more on the emotions conveyed within the artwork as well as my reaction in response to a piece of art.