On Saturday October 12, 2019; Krannert Center had an amazing event called Latin Dance Night that was co-sponsored by La Casa Cultural Latina. This event was truly amazing; it was very diverse and and you would see things you would never imagine. They played many different genres of music such as merengue, salsa, cumbia, bachata, banda, etc. It was a very fun and relaxing experience after such a busy and stressful week.
This post is the make-up event for the Jennifer Monson Dance on the 3 Oct 2019.
I attended the FYG U Music Film Festival and the one huge surprising thing is that all the tickets were free! No charges at all. I immediately signed up for the festival and it was really an eye-opener for me.
When I entered the festival at about 9:00pm and walked closer to the main stage I could feel the bass resounding from the top of my head to the soles of my feet. It was as though the music was in me.
As I approached the crowd, hands were in the air moving in syncopation to the beat, people were bouncing up and down to the beat, literally, everyone was grooving to the beat. Personally, I do not dance well but seeing everyone having such a good time, the music in me just took over and I myself started jumping to the beat too.
One huge eye-opener was when Tripple Redd sang a certain song, about 5 Americans opened up a huge circle in the middle and you would not believe what happen next…
It was a DANCE OFF!
What I love about it, was that anyone could go to the middle and dance despite their race, size or gender. Everyone was just cheering for one another and having a good time.
Apart from the audience, the rapper, Tripple Redd was really spontaneous and engaging to the crowd. He will ask the crowd to echo after him. It will something like that:
Red: WHEN I SAY TRIPPLE, YOU SAY REDD!
He also got everyone to sing acapella to his songs and just hearing the crescendo and echo of the crowd was really spectacular. It gives such a chemistry between the crowd itself and Tripple Red too.
of music was hip-hop and it was really catered to the crowd as everyone was
familiar to the song and singing along to it. Personally, I do not listen to
hip-hop but after the festival, I now appreciate it more.
The set up for the stage was marvelous, the sound system was so loud but so clear. The lights used were vibrant colors such as bright red, light blue, yellow and light green. The colors create a vibrant and energetic atmosphere. Furthermore, there was the smoke machine that was used very timely which were at the end of the song or to hype up the crowd.
Overall, it was a real eye-opener for me to attend a music festival and in particular to the music genre of hip-hop.
Chris Botti showcases his talent as a trumpeter and performer alongside his company of musicians from across the globe.
On Saturday, September 14 Chris Botti and company performed at the Krannert Center of Performing Arts, demonstrating just the many reasons as to why he is so distinguished from other trumpeters. The award-winning musician and composer made his appearance on stage along with a variety of other instrumentalists, including a guitarist, violinist, pianist, and many more.
The majority of the performance was instrumental based, which was different from all the other concerts I have previously been to. However, as a piano accompanist I would say that it was pleasant surprise to see a performance where the instrumentalists are the center of attention. And they definitely deserved the attention too; the musicianship of all the players on stage was absolutely insane. Each of their solos really allowed them to show off just how much control they had over their instrument, and how extensive their experience was in regards to performing.
Although I enjoyed listening to all the instrumentalists, I feel as though the singer gave the band a refreshing sound at the end of the first half of the performance. There was a new type of energy when singer and songwriter Sy Smith joined the company of musicians, and her funky soul-voice definitely livened up the crowd. I think she blended well with the jazzy instrumentals that was previously being played, and ultimately gave the song an edge.
I think my favorite part of the performance was Lee Pearson’s drum solo midway through the first half of the performance. His short showcase exhibited so much emotion and energy that people were constantly clapping and cheering. I found that the fast and complicated rhythms that he was able to complete were mesmerizing, and his overall showmanship was exciting to watch. I also liked the way he was able to entertain the audience with little tricks such as playing with the sticks behind his back, or throwing up the sticks in the air as he plays. Most importantly though, it was obvious that Pearson’s energy was genuine; you could see how much heart he put into this performance.
Overall, the Chris Botti performance was a refreshing change from the previous concerts I have attended. I greatly enjoyed the music and the energy of the show, and would definitely recommend this experience to anyone who is interested in instrumental music.
On September 14, at Krannert Center for the Performing Arts, Chris Botti featuring Lee Pearson, Reggie Hamilton, Leonardo Amuedo, Holger Marjamaa, Andy Snitzer, Anastasiia Mazurok, Sy Smith, and Rafael Moras; performed an amazing mixture of what a friend called “aggressive elevator music” which in reality was Jazz mixed with Classical.
On September 14th, Chris Botti performed at the Krannert Center for the Performing Arts with a group of talented jazz musicians. The powerful music filled Tryon Festival Center and took a variety of tempos, tones, and styles to transform this performance into something special.
Legendary blues guitarist and singer Buddy Guy wows the crowd at Krannert Center for the Performing Arts.
Written by Danielle Herrera
On September 7th, 2019 I had the opportunity to attend the performance of Buddy Guy, I man who (after a quick google search) I learned was a famous blues artist. I’ve never listened to any of Guy’s albums or songs, but I’ve always loved live performances so I was excited regardless. Little did I know, this performance would open me up to new perspectives of music.
First off, let me just start by saying that I am a huge R&B fan. I love the emotional aspect of music and listening to beats that amplify the mood of the song, whether it be pain, lust, or joy. As expected, Buddy Guy’s musicianship was extremely impressive and the overall instrumentals of his songs were catchy and upbeat. However, the aspect that really threw me off guard was his singing. Buddy Guy’s voice has a raspy, deep sound that is both nostalgic and unique to now. You can physically hear the amount of wisdom and experience this man has just through his vocals, making it perfect for the historic genre of blues.
Although Buddy Guy is a renown singer and musician, he made sure that the spotlight was not always on him; lengthy showcases of the guitarist’s runs or the pianist’s swift improvisations shined a light on the rest of the instrumentalists’ insane talent. I personally was in awe of Buddy Guy’s pianist; having played in a number of different concerts and performances, I know how difficult it can be to improvise blues/jazz on the spot in front of such a large group of people.
In addition, there were a number of quirky acts performed by Buddy Guy that showcased not only his sense of humor, but also his skills as a musician. At some points Guy would be playing the guitar by hitting it against his chest, or by smacking it with a towel. Either way, these moments kept the audience lighthearted and waiting for more.
The greatest aspect of this performance, I think, is the way Buddy Guy interacted with the crowd. Like other artists, he encouraged audience members to sing along with his more famous songs in a call-and-response manner. However, he also did something that I’ve never seen before: mid-concert, Buddy Guy calls for the auditorium lights to turn onto the audience. In that sense, Guy forcibly moves the attention from him to us. This was something I’ve never seen before, and it made me feel like it was our turn now to perform. Buddy guy then proceeded to walk into the audience, singing and interacting with all of us. This act provided a sense of togetherness that I have never felt before when attending a performance; it was like we were all finally on the same level, just enjoying the song and rhythm. Audience members were dancing and singing, and almost everyone was on their feet. It was a scene that could never be replicated exactly the same ever again.
Overall, Buddy Guy’s performance is something that in my mind could never be replicated ever again. The musicality, emotion and sound were one of a kind, and if I had the chance I would for sure relive the experience once again.
Buddy Guy, an American blues guitarist and singer, gave me an interesting show on Saturday night at 8:00. If you think this is only a normal blues guitar festival, you are wrong. He is the special one. Before the beginning of the show, lots of people are already seated, and everyone was talking about him how good he can play and how funny is this guy during the show. Since this is my first time to watch his festival, I paid all my attention to his guitar festival. When I finish watching the show, I find out that everything online about him is true. He is special.
At the beginning of the show, He played a blues song to evoke the audiences’ interest and to catch their attention. After that, He did Improvisation and this is my favorite part of this show. He started a song normally, a minute later, he changed. He started to play his guitar by arm, wrist. Lastly, he flips over his guitar and play it by his clothes, and it works, it sounds good. And I think this is music, and I think that is what he wants to tell us. Music is not an objective thing, everything can be music, there are infinitely melody in the world.
Near the end of the show, Buddy Guy did a thing that let me fill this is not a guitar festival, but more like a family meeting. He was playing a song, and during the song, he walked to the audience and played with the audience and when the song is about to finish, he walked back to the stage. In that specific period, everything became one. I think it is similar to a family meeting, a payer is playing a guitar and singing, other family members are sitting around him. There are 0 gap between the player and the audiences. Music made us become one thing.
Before I went to the Opening Night Party at Krannert Center for the Performing Arts, I had never imagined that this party would be so grand, and I didn’t expect so many viewers to arrive there early. Just on the terrace outside KCPA, there were many people gathered. It was about 5:20 p.m. when I arrived, and the band have already started auditioning, while the food stalls on both sides of the terrace were ready for business. When I entered KCPA, I was amazed by the arrangement inside. The whole hall was equipped with many small round tables and high stools for people to chat and drink. The blue-violet lights created a perfect party atmosphere that was very different from the outside scene.
Around 5:45 p.m., several people outside were lined up in front of the food stalls, and people on the terraces were constantly going up steps and sitting. Several stages in KCPA have been basically prepared, and some interesting activities stalls have begun to publicize. I saw several passing children with delicate oil painting on their faces, which was extremely characteristic.
At 6 p.m. in the evening, Opening Night Party officially began. I bought a BBQ chicken burger from the food stall outside, and sat on the terrace steps to start watching Toko Telo‘s performance. There were two musicians playing guitar on her side, and Toko Telo had a tambourine and another instrument that I didn’t know the name. When she was singing, she beat the tambourine and shaked the other instrument to create a sound of rustle. She sang folk music and I could feel some elements of Indian songs. Toko Telo‘s singing was full of rhythm, and to my surprise, her treble was very good. I wrongly thought that her voice was more suitable for low-pitched songs at first. Every time when she finished a song, I couldn’t help but applaud with the crowd.
After a while I went back to KCPA to see other performers. I watched Andy Baylor‘s solo and Bombino‘s performance. The former’s songs were country music and the style was lyrical, while the latter’s songs were more lively and had more national characteristics. Bombino‘s performance caused the audience to cheer and almost became the focus at that moment.
It was a nostalgic departure when I must say goodbye to Opening Night Party. It let me enjoyed the music from different regions and I was very grateful to FAA 110 for offering me such a wonderful experience that I’ve never had before.
An introductory experience to UIUC’s beloved performing arts center via the Ellnora Festival.
Extra Credit by Allison Spillane
I was very excited to be invited by my FAA 110 professors to this event. To get a lay of such a wonderful performance venue brimming with passion is always a fun experience. The turnout for the opening of the Guitar Fest truly shows how many people out there truly support the arts!