Tag Archives: Opera

The Rape of Lucretia: An Ancient Tale of Tragic Abuse of Power

Then again, perhaps not so ancient. Written by Nathan Durkin

A power struggle. A lost bet. Jealousy. Desire. Lust. All culminating into the assault of an innocent young woman, leading to her suicide. The story of the fall of the Etruscan kings of Rome centers around young Lucretia, using her as a pawn in a struggle for power. On Thursday, I saw this story, one I was familiar with, performed in opera form at Krannart Center for the Performing Arts.

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Oper-uhhh

The rape of Lucretia was a very interesting opera, and also served as my first one. I learned a lot, but ultimately believe my first will also be my last.

By: Daniel Corry

Truth be told, I have never seen an opera before, and only think of big women in large viking hats whenI think of the word. I also thought they were solely in Italian, so I was pleasantly surprised to hear english, as well as see the words projected on the screen.

Upon finishing the show, I can thankfully say I was more impressed than with the interpretive dance from our last event. There was a coherent story, and I actually felt emotion for Lucretia. The narrators were probably the two characters who pulled me most out of the story. They were from a different time period, and rather than pushing the story along, the simply seemed to push christian values into the story in an inorganic manner.

My favorite part; as odd as it sounds, was probably the actual rape of Lucretia. I genuinely felt rising tension and disgust, but with a larger message of the disgusting predatory actions men genuinely committed hundreds of years ago, and still commit to this day.

If I were the director, I would have tried to make that connection more obvious through those two narrating christian characters, but overall I thought they did a good job! Again, I simply think the style of opera is not for me, but it was still an enjoyable performance and night!

Oprea With a Twist

By: Darnisha Dunning

The Rape of Lucretia played at the Tryon Festival Theatre the other night at the Krannert Center for the Performing Arts.

I think the rape of Lucretia was interesting. I think it was interesting to see how such a tragic story through music. All songs have a hidden meaning behind them in to see the meaning, and the story behind it adds value to the story. It adds something thing because it was visible to the audience when did not have to listen or see a few times to understand the basic concept of the piece. For me, the display screen was helpful and distracting. It was helpful because at times I did not understand the lyrics/message of the song. It was beneficial to look up to read the lines to get a better understanding of what the actors were trying to exhibit to the audience. It was distracting because I was trying to watch the performance and trying to understand the words above my head. Looking up took my eyes off the performance.

Although the story was written years ago, it is still prevlent in today’s society. People still get raped or sexually assault, and it degrades the victim’s happiness, and they have the feeling of committing suicide. Somethings are unbearable to live with because one can relive that moment over and over again in their heads. Due to the loss of innocence and happiness, one can slowly develop symptoms of depression and anxiety.

The one thing I like most about this play is the message. From my understanding, the messages were betrayal from a friend/ prince.

The Struggle of Women

The story of yesterday that stands today 

by: Alia Muhammad Radzi

The Ticket to the the Opera!

This was my second time watching an opera. The first time around was actually for Don Giovanni, which was also held at the Krannert Center of the Performing Arts. It is odd to put the two side by side, as they are so different in story and origin. However, the effect of weaving in opera into the story telling dramatizes the performance, and compels the audience to grieve and experience with the characters. For me, repetition is a powerful tool that conveys strength in delivery, which might not come out as organically if not sung. Nonetheless, there were some parts (like the piece on flowers, which I know was necessary to contrast the situation between what had happened and what is) which I thought were rather slow, and hoped to pass faster, though it would be impossible in a sense given the nature of opera.

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