Daily Archives: October 2, 2019

True Meaning of “Home”

Colwell Playhouse’s performance of Home captivates the audience through its portrayals of the fast-pace chaos that is human life.

Written by Danielle Herrera.

On Friday, Sept. 27 I walked into the Krannert Center of Performing Arts without any prior knowledge as to what I was about to witness. Having been the piano accompanist for a number of various musicals, I’m quite familiar with theater and performance. However, this was my first time attending a play, which completely lacks the song and dance involved in musicals; for this reason, I was concerned that the performance wouldn’t feel as lively. Little did I know, there are countless other aspects of plays that are just as captivating as those found in musical theater.  

The show opened up with a dim, completely empty stage. There was no movement nor light, which cause the room quiet down into deafening silence. Then, after a few moments a man entered on stage and began setting up lights, building what appeared to be a wall. His movements were purposeful and captivating, which in my opinion set the vibe for the entire show. 

As the play progressed, various rooms were built on stage right in front of the audience. This gave viewers an inside look on the long process of creating a home, while simultaneously demonstrating countless life events that would take place in anyone’s home. More and more characters were introduced, portraying their separate lives whilst physically using the same set. Finally, at the end, the characters all join together in a scene of celebration. 

I thought that the incorporation of the audience into the play made the performance more exciting and entertaining to watch. Seeing familiar faces being pulled on stage gave the show a new energy, and also allowed the audience to feel as though they are part of the performance. My favorite part was when Valleri, our professor, was invited on stage and asked to describe her home. Hearing her own genuine stories and descriptions of her childhood home reminded me of my own memories of my house. It made me realize how important it is for everyone to have their own place to call home. 

Home by Geoff Sobelle was a performance filled with so much chaos and laughter. It depicted scenes of life, death, sadness, and celebration using just one house setting, which revealed a universal thread amongst us humans: everyone needs a home. It doesn’t matter if it’s a house, or an apartment, or even just a room; people need a space to experience life. I loved watching this play, and I would definitely recommend it to anyone who’s looking to find new perspective on what makes a home, “home”.

For more info about this performance, go to https://krannertcenter.com/events/home-geoff-sobelle

Immersive “Home” Experience

Written by Nicole Miao

The story of “Home” began with two small lights, a wooden frame and two plastic sheets.

When a man in casual clothes came to the stage directly from the auditorium instead of the background, I thought he was a staff at first. When he assembled the materials into a wall and changed the scene into a small bed and a door, I realized that he was an actor. There were many different people in and out of the door, such as women, boys, and elderly. Not too long after that, several decorators appeared, converting the scene into a larger house and starting to carry furniture inside. I could gradually distinguish the kitchen, living room, bathroom, study and bedroom.

Until the last piece of furniture was moved in, the hostess walked into the house with flowers, and a complete “home” appeared. The new day began with a simulation of sunshine through the venetian blinds on the second floor window and realistic barking. From getting up and washing, dressing up, and carrying the packages out, the actors presented us with different lives of different roles. The elderly did housework, the child went to school and adults went to work. This reminded me of my own life. Before I entered the college, every day after I get up, my mother drove me school and then came back to do housework. My dad had to work every day, occasionally going on a business trip. People in a home methodically handled their own life.

The actors celebrated the graduation of “students”

The most amazing thing that shocked me was in the second part. Actors began to interact with the audience actively. The little boy stepped down and invited us to taste the olives (I tasted one, but it was sour). The other actors let the audience stand and put the string of lights on the top of the head. They also invited many audience, including several of my friends, to come to the stage and participate in the party and celebrate the birthday. I was still thinking about the logic of plot just before this part, such as what the meaning is when actors entered and exited from the door at the beginning. But when the audience cheered, I felt that the logic of the story was no longer so important. Now I am part of the story, and I am also completing this story about Home.

The audience and actors sang and danced together on the stage

I was immersed in the performance until the end. It turned out that interacting with the audience is the most direct way to get audience into the situation. I could not refuse this kind of interaction, which was a wonderful experience I have never had before.

Actor’s curtain call

If you want to learn more about Home by Geoff Sobelle, visit this website: https://krannertcenter.com/events/home-geoff-sobelle