This production of Virago-Man Dem was an intriguing display of various movements and vibrant colors, blending light and dance for a single product. -By Daniel Holley
Created by University of Illinois dance professor Cynthia Oliver, Virago-Man Dem is filled with simple movements and dance patterns. The four cast members dance fluidly around one another, and are often not in-sync. This style of dance is impressive to me because each member must keep track of their own specific movements and position on the stage floor. Although the choreography did not appear especially tricky, the cast was able to execute the simple movements in a way that kept the audience’s attention.
The cast of Step Afrika! delivered a powerful performance that made the audience feel the highs and lows of black history in America. Their bodies were the instruments as they sang, stomped, clapped, flipped, and danced their way into our hearts. -By Daniel Holley
Flashing back to the story happened in 1739, and following the fantastic dance crew to unveil the history behind contemporary African culture. To experience, to touch, their bravery, and the hereditary beats…
On Feb 7th, 2020, “Step Afrika!”, a signature African-American drum performance was performed at the Colwell Playhouse (Krannert Center for Performing Arts); and it amazed the audiences with its special art forms, including the tap dance and stepping.
It was an amazing performance! With the strong passion, high-energy, and creativity of performers, audiences had an incredibly amazing experience. They invited audiences to fully enjoy and participate in the performance through a devised process with the cast and great interaction.
The stage setup from this performance was phenomenal. When I enter the theatre, the setup was already being displayed for the audience to admire. I myself was very amazed by all the intricate details of the setup.
The rustic wood panels at the side and the long dark wood tiles bring out that warm homely feeling. All the props that were used from the chairs, lamps, windows, doors, drawers, and potteries all aided in bringing the audience back to the past of the 1900s.
also aided in the same way. The gents were wearing tuxedos, vests and a top hat
and the ladies were wearing long printed skirts up to their waist and wearing a
bandana over their head.
The one prop that was very significant was the paper boat. The entire performance was building on that paper boat. It brought everyone on a journey to the unknown, creating such anticipation to the audience of what is gonna happen next.
that I would like to describe will be Caesar. The main villain of the show. He
was a man of his principles which were two things. Family is everything and standing
on what is written on the law.
that whoever abides in the law, is deemed worthy and whoever does not shall be
punishes. With this narrow mindset, Caesar shot Black Mary’s good friend just
because the friend hurt his right leg causing him to limp.
so saturated and consumed by the law that his own conscience was totally gone!
He did not feel any remorse of what he has done. This led to his own sister, Black
Mary telling him straight to his face that she does not know him anymore.
This superb character really taught me that not everything should go by the book but there has to be a balance between abiding of the law and holding on to your conscience.
The City of Bones scene was STUPENDOUS. Even before they step into the scene, they are already in character behind the door, shaking vigorously their wrists and ankles. The energy that they put in every move that they made had so much gust and momentum and as they synchronize the tribe beat with their “bones”. I love the props that they use such as red ribbons to symbolize fire and the wooden sticks to add a stronger sound to the beat. It depicted them to be souls being revived from their skeleton giving an eerie feeling which was exactly what was needed for that scene.
performance really brought me back the past to experience, understand and feel how
it was like in the African American community in the 1900s.