Tag Archives: Musicals

Willkommen im Cabaret

Tyler Tubbs


The Cabaret at the Krannert is my favorite of the events this semester. The intense storyline is complimented perfectly by beautiful musical numbers performed by a live orchestra and the performer on stage.

Cabaret’s excellence comes as a result of the incredible musical numbers. The songs give a true sense of the character’s beliefs and attitudes. For example, when Fräulein Schneider sings “So What?” she offers insight to the desperation and lack of hope that was shared by countless individuals of post-WW1 Germany. Additionally, the reprisal of “Tomorrow Belongs to Me” at the end of the first act portrays the pro-nazi leanings of certain members of the cast. Most of the cast joins in on this song, showing the growing influence of nazism in Germany during the early 1930s.

During the performance, the set changed countless times to describe multiple locations throughout Berlin. The boardinghouse consisted of Cliff Bradshaw’s room and an adjacent hallway containing Fräulein Schneider’s and Fräulein Kost’s doors. The Kit Kat Klub was mostly empty, but the character’s made up for the empty stage with intense, vibrant costumes and dances. In-between scenes, brief pauses for applause doubled as opportunities for rapid set changes.

Thanks again for checking back on my blog! The next event is this Wednesday, the 11th, for Drum Tao! I’ll see you all again soon!

Wilkommen! Bienvenue! Welcome! – Cabaret

By Jiaxuan Meng

On the evening of March 6th, 2020, Cabaret, a famous Broadway musical which includes smoke, haze, violence, nudity, and profanity was performed in Krannert Center for Performing Arts to celebrate Krannert Center’s 50-year partnership with School of Music, Illinois.

Theatre, dance, and music present the joint production of cabaret.

This musical is based on a book by Joe Masteroff and a play by John Van Druten. Stories are based on a novel Christopher Isherwood and the fascinating music come from John Kander with lyrics by Fred Ebb.

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The Tale of Cabaret

The cast of the play Cabaret set out to deliver a wonderfully unique performance filled with spinning set pieces and music that only enhanced the performance.

Written by Willa Wu

The play Cabaret is set in Berlin, Germany, from 1929 to 1930.  Initially, I was a bit surprised at the choice in the time period.  After all, this was before Hitler’s rise, and after the financial crash of 1929.  However, the director’s note in the program provided insight on the choice; the “in-between” space, as Latrelle Bright, the director calls it, is “a space where one can almost imagine maybe, it could have gone another way.”  The play, although set during a time where the Nazis held some power, focused rather on the love triangle that was created. 

The night’s ticket stub and the entrance of the Tryon Festival Theatre.
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The Look of Shock at The Book of Mormon

Throw all your previous notions of broadway out the window before watching this amazingly unique musical written by the creators of Southpark.

By: Daniel Corry

We were pleasantly surprised with our seats, with no obstructed view in the whole theater!

First of all, let me give you all a tip when buying broadway tickets, that I just learned this week. If you are willing to risk some slight disappointment, and live relatively close to a theater, DO NOT buy your tickets ahead of time. Those tickets end up cost twice or three times the price. Go about an hour before the show, and ask for “Rush Tickets”. These are the tickets that have yet tp be sold, that the theater practically gives away, just to fill seats. We paid only $40 each to see this show, with seats that we were very pleased with! Now, onto the show!

I must admit, I had some previous knowledge about the show, so I thought I knew what to expect, and I still ended up being wrong. As I said, the subject matter is all about the Mormon faith, and it is written by the two men (who happen to be atheist) who wrote the very raunchy “Southpark” show. So let me be clear, if you have a lighter sense of humor or are easily offended, I would NOT recommend this show, regardless of your religion. It’s humor is very dark and crude and makes light of some third world country problems that certainly are not for everyone.

That being said, this show really was fantastic. The choreography was CLEAN and very well rehearsed. The characters were very fun and each so different that I was invested in all of them. The story was fun, and as someone who knew little about the Mormon faith, was appreciative at the (semi) educational aspect of their beliefs.

The music was also outstanding, with many of the songs getting stuck in my head even a few weeks later. “Hello”, “You and Me”, “Turn It Off” and “I Believe” were all songs that painted a smile on my face from start to0 finish, and had some theatrical surprises that made me “Ooh” and “Ahh” like I was watching fireworks. I was really pleasantly surprised at the musical talent in this show.

Overall, for the price we paid, the seats we got, and the audience I went with (my Mother), I had an unforgettable night of outstanding music, hilarious (while crude) humor, and just unbridled fun for a few hours. If you can stomach it, or just know that your humor (and morals) will be slightly challenged, I highly suggest that you go!