I am extremely grateful that I was able to be in this class. I was able to reunite with my love for the arts in full force. It was amazing to have a performance to look forward to every single week and I am going to continue going to performances at Krannert more often because I have realized how healing it is to experience art and how much it has helped me deal with stress this semester. I was disappointed that I was not able to enjoy this class to its full capacity due to COVID-19…I was really looking forward to the remaining performances. However, I am still extremely happy with the experiences I took from the first half of the semester and I also really enjoyed the Digital performances and I am also happy that I now know that a website like that exists so I can enjoy more performances online this summer if I want to.
Everyone knows the three essentials for survival: water, food, and shelter. But people always seem to forget about our human need for warmth whether it is literal warmth, heat, or a more figurative warmth through relationships with other people. The Container shows us all four of these necessities during its run time but the main takeaway I got from the performance was that having warmth will let people feel safer than water, food, or shelter will.
The performers of Virago-Man Dem did an amazing job at depicting the layers of masculinity, however, they were constrained by their medium of communication: video. Of course, when their performance was filmed, they were dancing for a live audience but for everyone else who wants to watch the show, the audience loses a lot of the experience just because they are viewing through a screen.
The Container, directed by Tom Wright, tells a story about five poor refugees who try to smuggling to England in a container. The whole performance, produced by Digital Theatre, is performed in a real shipping container parked outside London’s Young Vic Theatre
Written By Bingchen Li
It is a real container! All the performers play in a real container. Yes, a metal box like those on the back of trucks to transport cargos. Also, as we can see in the news, the container is often used to transport illegal immigrants. The Contain depicts a story around 5 illegal immigrants or refugees and one agent who help them smuggling to England. However, during the trip, the agent denies the contract between him and the refugees, and those refugees have to pay an extra 50 dollars to stay in the container.
The basis of Anna Deavere Smith’s performance was journalism. She would interview these people, pick out the ones that spoke the most and create them into one woman shows and full fledged plays. Her one woman performance was unique and a showcase of true talent because she had no costume, no props, and no stage decorations at all. She was wearing all black and the only tool she used was her voice. She showed the true power of using your voice. However, something important that she emphasized was that she was not giving these people a voice, these people already had strong and beautiful voices, she was just popularizing their stories to a wider audience. She would preface every character with a short introduction and then word for word use her voice to speak as if she were them. It took voice imitation to a whole other level, using it not just as entertainment but also as social justice and education.
As ready as I am for the upcoming semester to begin, I’m going to be very sad to leave behind FAA 110. Anyone of my peers has heard me talk about this class at least eight times because I enjoyed it so much. Having a class that was more focused on making me think about the different parts that go into performance and had very little work to go with it was very good for my mental health and the first semester of my college career.
The stage setup from this performance was phenomenal. When I enter the theatre, the setup was already being displayed for the audience to admire. I myself was very amazed by all the intricate details of the setup.
The rustic wood panels at the side and the long dark wood tiles bring out that warm homely feeling. All the props that were used from the chairs, lamps, windows, doors, drawers, and potteries all aided in bringing the audience back to the past of the 1900s.
also aided in the same way. The gents were wearing tuxedos, vests and a top hat
and the ladies were wearing long printed skirts up to their waist and wearing a
bandana over their head.
The one prop that was very significant was the paper boat. The entire performance was building on that paper boat. It brought everyone on a journey to the unknown, creating such anticipation to the audience of what is gonna happen next.
that I would like to describe will be Caesar. The main villain of the show. He
was a man of his principles which were two things. Family is everything and standing
on what is written on the law.
that whoever abides in the law, is deemed worthy and whoever does not shall be
punishes. With this narrow mindset, Caesar shot Black Mary’s good friend just
because the friend hurt his right leg causing him to limp.
so saturated and consumed by the law that his own conscience was totally gone!
He did not feel any remorse of what he has done. This led to his own sister, Black
Mary telling him straight to his face that she does not know him anymore.
This superb character really taught me that not everything should go by the book but there has to be a balance between abiding of the law and holding on to your conscience.
The City of Bones scene was STUPENDOUS. Even before they step into the scene, they are already in character behind the door, shaking vigorously their wrists and ankles. The energy that they put in every move that they made had so much gust and momentum and as they synchronize the tribe beat with their “bones”. I love the props that they use such as red ribbons to symbolize fire and the wooden sticks to add a stronger sound to the beat. It depicted them to be souls being revived from their skeleton giving an eerie feeling which was exactly what was needed for that scene.
performance really brought me back the past to experience, understand and feel how
it was like in the African American community in the 1900s.
This is my first ever theatre play experience and I must say I am very wow-ed by it! Even though the show was long, it ended off with a huge bang! It was truly a memorable first theatre experience and I wish to attend more theatre plays from thereon.
The scenery and props immediately told me that the setting of the play will be in somebody’s home. To elaborate, the costumes indicated that the time is somewhere in the past. The gents were wearing tux and vests which are really formal, coupled with a hat. The ladies were wearing headpieces and long dresses with lots of prints. The paper boat gave me the impression that the play will be a mystical journey and set the mood and theme to be an exciting one.
If I could choose one character to describe their role in the play, it would be Aunt Ester. She is an important character in the play who holds power as the soul washer. She seems to be an important figure who is well respected by everyone. This could be seen in the way everybody greets her when they enter the house. Everyone was always ready to make sure she is comfortable by washing her feet, settling her down in the sofa. She also instructs Mary to do certain chores, in which she obeys. She plays a huge part in the play and story by assisting Citizen Barlow to travel to the City of Bones to restore the spiritual balance of troubled individuals, especially so since Citizen Barlow caused an innocent death by stealing the can of nails.
The City of Bones scene was SPECTACULAR. A very essential part of the scene was the dancers. I could feel the intensity and their dedication to playing the role well and it fit into the theme of the play so well and brought a strong visual of what souls were to look like. It was a little eerie but that was the point of the dance and their movements. I really enjoyed the props that the dancers were using such as red ribbons and wooden sticks as it brought more dimension to the play.
This play transported myself to a mystical world while showing what the African American community in 1904 was like. I could feel myself being transported with them into the City of Bones and what a ride it was!
This is the first-ever Homecoming talent show, performed by international students. There were 13 performers and they presented the different cultures and their art wonderfully. Through this talent show, I have increased my understanding of the different countries through their selection of songs and performing piece.
Most of the performer chose a song from their country and there was a clear difference in the melody, rhythm and style of the songs. I could also feel their emotions as they sang the songs that reminded them of home. It was truly a touching and memorable moment.
To me, it takes a lot of courage to perform in front of a crowd and no matter the decisions of the judges, I felt that they are all winners. As for relationship with the audience, there is certainly that element for certain performances.
For example, the magic performance by Alejandro Diaz was very interactive. He used the projector as a prop to bring his magic closer to the audience. As for the singers, they used the mic as a prop to bring their voice closer to us.
Overall, it was an exciting experience which showcased many talents, such as yo-yo, beat-boxing, singing, dance and magic. I expected a more formal event performed by professionals, but these people on stage were genuinely just wanting to showcase their culture and talent. There were emotions in the theater and I left the theater with a warm feeling in my heart.
Geoff Sobelle’s “Home” showcases a mix of music and theatre while building a house from scratch at Colwell Playhouse in KCPA on September 27th, 2019.
“Home” starts off with a man wondering around on stage, picking up lanterns, and building a small wall out of wood and plastic sheets. As the play goes on, more characters start appearing, including the construction workers who quickly built a house in front of our very eyes. There was a bedroom, bathroom, kitchen, dining room, living room, and office within the house. Room decor, like pictures and vases, and furniture, like couches and desks, decorated the home while the residents unpacked. The stage quickly transformed into a warm home with ambient noises, wind blowing, leaves ruffling, and dog barking, mixed with realistic lighting that portrayed day and night.
As the story unfolds, we see the daily life of each resident, from waking up to doing chores to arguing with each other. Seeing each resident live their own lives made me think and reflect on my own experiences at home. The play made me think about my morning routine and hectic schedules that I follow on a daily basis back at home and in my dorm at university. At the end of the play, the residents one by one began packing their belongings and moving out. This act made me think about the time I was moving from Minnesota to California, and then moving to university in Illinois. As a result, I could sympathize with the actors as they portrayed their lives.
To my surprise, the actors also interacted with the audience throughout the play, whether it was offering food and drinks, asking for people to stand and hold strings of lights, singing happy birthday, or bringing them on stage to be part of the act. It made the audience feel cheerful, as if they were also a part of or invited to the party. I thought this strengthened the connection between the audience and the actors to create a lasting impression and to sympathize with them by drawing more of the audience’s attention to the scene.