On November 1st at Krannert Center for Performing Arts, the Wynton Marsalis and his ensemble performed in Foellinger Great Hall and it was amazing. Wynton Marsalis has led this ensemble for over three decades. playing an amazing blend of masterworks by Ellington, Basie, Monk, Mingus, Goodman, and more with original compositions, Lincoln Center-commissioned works, and rare historic pieces. Marsalis ensemble is made of more than 15 of the jazz world’s finest soloists and ensemble players. And they are truly remarkable
The Jazz at Lincoln Center Orchestra performed at Krannert Center for the Performing Arts and it was an absolute delight to see and hear! The performance featured individual performers as well as the entire ensemble and played a wonderful blend of fast-paced, energetic songs and slower pieces.
Wynton Marsalis has crafted music for over thirty years not only alone but with his diverse ensemble. Bringing together some of the best jazz soloists together to form a group that really develops and hones their compositions to bring together something that really allows the audience to listen and appreciate what they have mastered. In this 2 hour performance, accompanied by a 20 minute intermission in between, we were presented with various compositions, both original and pieces added with a unique flavor, that really showed why Wynton Marsalis and his ensemble have achieved as much as they have.
Trumpeter Wynton Marsalis and the Lincoln Center Orchestra serenade the audience at Krannert Center of Performing Arts.
This past Friday night I attended a jazz performance starring Wynton Marsalis and the Lincoln Center Orchestra at Foellinger Great Hall. Entering the Krannert Center, I was slightly shocked to see the amount of people waiting in line to watch the concert. The lobby was completely filled with jazz enthusiasts both young and old; by far, this performance had the largest and most diverse audience age-wise compared to the previous shows I have attended for this class.
Throughout the performance, there were a number of instances where solo showcases were incorporated within the ensemble playing. For example, during the first half of the show drummer Jason Marsalis and trumpeter Wynton Marsalis were given lengthy solos as a transition to the next song. Personally, I think the incorporation of solo playing elevated the entire performance by exhibiting the individual talents of the instrumentalists. The solo showcases provided a contrast to the majority of concert by giving it a refreshing sound as opposed to continuous songs being played in unison with other instruments. Overall, I think the individual solos were beneficial to this performance by providing a healthy balance of group vs. individual song.
One moment for me that stood out during this performance was the drummer’s solo during the second song of the concert. The drummer is actually Jason Marsalis, Wynton Marsalis’s youngest brother. I was captivated by his solo not only because he was able to keep a steady tempo throughout the entire performance, but he simultaneously created new patterns and rhythms that were offbeat as well. Jason’s ability to detach himself from a singular beat and maintain a multitude of tempos in rhythms with just his two hands is something that can only be learned through years and years of experience. For this reason, I recall Jason Marsalis’s solo as a notable moment from the Lincoln Center Orchestra.
Overall, the performance by Wynton Marsalis and the Lincoln Center Orchestra was a great opportunity to experience the all time classic music genre, jazz. Although I am not a jazz connoisseur, I can definitely say that the show was entertaining and I would gladly attend a similar show again.
Chris Botti blows away the crowd at the Tryon Festival Theater!
Although I was sick, and was unable to stay the entire show, Chris Botti’s performance was a spectacle to behold. My favorite part of the performance would probably be the drummer. I always have respect for people who have range within their instruments, and the quiet, subtle beats that the drummer was able to produce set against his moments of intense and creative drum solos was spectacular. Another aspect of the drummer that I liked so much was that he looked like he was genuinely having fun on stage. Between the intimidatingly stylish Botti and his beautiful and calm violinist, the drummer stood out to me as someone who was there to have a great time doing what he loves.
I look forward to watching Chris Botti before the start of it because I’ve always been interested in Jazz music and I heard Chris Botti is a famous Jazz musician playing the trumpet. Every year, I watch a few music performance and I must say I love each of them when I was watching.
When I sat on my seat and started waiting for the show to begin, I started thinking all the performances I watched before and relating them with the show I was about to watch that night. So, basically, I was trying to remember my own experiences with Jazz music. However, the show turned out to be completely different from what I imagined. The Jazz music Chris Botti and his band played was more modern instead of traditional music, and it is exactly where I want to start describing my favorite part of the show. The part that made me feel that the music was more modern was the drummer. He was highly excited and active and there was a part for his single play. Every one was hyped by his performance and he was doing all kinds of tricks with the drummer and making me feel beautiful. Also, I found other people around me start moving their bodies and it seemed like everyone was dancing during a show we’re supposed to sit quietly.
Chris Botti’s interaction with the audience was another point that I noticed. His interaction with the audience was similar with Buddy Guy, because they both walked off the floor and played the instruments. Chris Botti walked towards the audience started moving along the road, and finally stopped by the middle of it. He started playing with himself standing there and making eye contacts with the audience around him. I feel his interactions were hard to ignore and we became even more concentrated when he did that. In addition to the physically interactions, Chris Botti talked a lot to the audience about his stories and the introductions of his band members. Chris’ amusing tone entertained all of us that day and it was one of the reasons that made the show a success.
I enjoyed Chris Botti’s performance, and all the other musicians’ as well. They form a band that perfectly assist each other during the performance with music and movements. All the performances I watched before has a band that played together, but Chris allowed every band members to have their own moments to show their unique personalities.
Chris Botti was an amazing show for me, and I would never forget him, even though I never heard him before. To be honest, it’s probably hard for me to watch his performance again, but I will link the show to my memory and I will never forget him when I think of art in the future.
On September 14, at Krannert Center for the Performing Arts, Chris Botti featuring Lee Pearson, Reggie Hamilton, Leonardo Amuedo, Holger Marjamaa, Andy Snitzer, Anastasiia Mazurok, Sy Smith, and Rafael Moras; performed an amazing mixture of what a friend called “aggressive elevator music” which in reality was Jazz mixed with Classical.
On Saturday the 14th, Chris Botti came to perform in the Krannert Center for Performing Arts, and along with him he brought an equally talented Violinist, Pianist, Drummer, and even a Saxophone player. These weren’t just background performers, however. I feel as if Chris Botti did an amazing job as highlighting them as individual artists that went along with his own trumpet playing.
I feel as my favorite part of Chris Botti’s performance was how incredibly powerful he sounded as a trumpet player. It felt as if every note he played echoed throughout the auditorium as we watched him lean into every breath he took through his instrument. His interaction with the crowd was equally amazing. I feel as if the audience had a sort of “moment” when he stepped down to talk to us. It gave the whole interaction a much more personal feel, something I haven’t experienced in concert.
Overall, Chris Botti had great complementary artists, greater sound, and an enthusiastic crowd. You could tell how invested we were from our constant applause, and I feel like Chris Botti delivered a performance worthy of such. There is a stereotype that trumpet players are very prideful, yet Chris Botti has shown us that is simply not true.